1948年出生於日本東京都，本名市川純。早年曾以畫家為志向，多次報考東京藝術大學美術系，落榜後改於視聽製作課程研習，從此對影像產生濃厚興趣。1975年加入電視廣告公司，從事廣告製作，1983年創立市川準事務所，拍攝養樂多Tough Man、荏原烤肉醬、DODA、禁菸廣告等四百多部知名電視廣告作品，並於1985年贏得坎城國際廣告節金棕櫚獎。 市川準素來以精準描繪細膩情感而著稱，擅長挖掘作品中女性角色幽微的內心轉折，層次分明，也讓許多女演員因此受到矚目。包括《醜女》中的富田靖子、《鶇》一片裡年僅19歲的牧瀨里穗、《未來之我製作法》中的新生代人氣女星成海璃子等，他片中的少女多半迷茫而寂寞，卻也讓年輕女星散發難以言喻的魅力。 1987年首次執導電影《醜女》，即入選當年日本電影旬報十大日片，1991年以改編自吉本芭娜娜的《鶇》贏得日本每日電影獎導演獎，1995...(展开全部)

世界的に高い認知度と評価を得るファッションブランド、アンダーカバーのデザイナーであり、アーティストとしての側面も持つ、高橋盾。生涯のほとんどをNYで過ごした大阪生まれのアーティスト、Madsaki。合作展「Intermission」において世界中の観客を魅了する二人の、他では見られない貴重作を一挙公開します。

With the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persec...(展开全部)

With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of an entire century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and...(展开全部)

Creators in Hong Kong, who have been strongly attracted by the works of UNDERCOVER Jun Takahashi, design its official book. It features the series of spring and summer collection in 2004 and the collections from the past. It also includes the works of artists who are influenced by Takahashi. All the contents have been translated in English.

Creators in Hong Kong, who have been strongly attracted by the works of UNDERCOVER Jun Takahashi, design its official book. It features the series of spring and summer collection in 2004 and the collections from the past. It also includes the works of artists who are influenced by Takahashi. All the contents have been translated in English.

Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by th...(展开全部)

This is an introduction to one of the most exciting new interdisciplinary fields of research: cultural memory studies. Who was Maurice Halbwachs, and what are the 'social frameworks of memory'? What can Aby Warburg's work tell us about the 'memory of art'? How do Pierre Nora's lieux de memoire connect history and memory? Where does the ancient art of memory meet the neuroscienc...(展开全部)